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Douglas Malloch: Be the Best of Whatever You Are

If you can’t be a pine on the top of the hill,
Be a scrub in the valley — but be
The best little scrub by the side of the rill;
Be a bush if you can’t be a tree.

If you can’t be a bush be a bit of the grass,
And some highway happier make;
If you can’t be a muskie then just be a bass —
But the liveliest bass in the lake!

We can’t all be captains, we’ve got to be crew,
There’s something for all of us here,
There’s big work to do, and there’s lesser to do,
And the task you must do is the near.

If you can’t be a highway then just be a trail,
If you can’t be the sun be a star;
It isn’t by size that you win or you fail —
Be the best of whatever you are!

William Butler Yeats: Among School Children

I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way – the children’s eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.

II

I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy -
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato’s parable,
Into the yolk and white of the one shell.

III

And thinking of that fit of grief or rage
I look upon one child or t’other there
And wonder if she stood so at that age -
For even daughters of the swan can share
Something of every paddler’s heritage -
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.

IV

Her present image floats into the mind -
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once – enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.

V

What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?

VI

Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.

VII

Both nuns and mothers worship images,
But those the candles light are not as those
That animate a mother’s reveries,
But keep a marble or a bronze repose.
And yet they too break hearts – O Presences
That passion, piety or affection knows,
And that all heavenly glory symbolise -
O self-born mockers of man’s enterprise;

VIII

Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

John Godfrey Saxe – The Blind Men and the Elephant

A HINDOO FABLE.

i.

IT was six men of Indostan
To learning much inclined,
Who went to see the Elephant
(Though all of them were blind),
That each by observation
Might satisfy his mind.

ii.

The First approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
“God bless me!—but the Elephant
Is very like a wall!”

iii.

The Second, feeling of the tusk,
Cried:”Ho!—what have we here
So very round and smooth and sharp?
To me ‘t is mighty clear
This wonder of an Elephant
Is very like a spear!”

iv.

The Third approached the animal,
And happening to take
The squirming trunk within his hands,
Thus boldly up and spake:

“I see,” quoth he, “the Elephant
Is very like a snake!”

v.

The Fourth reached out his eager hand,
And felt about the knee.
“What most this wondrous beast is like
Is mighty plain,” quoth he;
“‘T is clear enough the Elephant
Is very like a tree!”

vi.

The Fifth, who chanced to touch the ear,
Said: “E’en the blindest man
Can tell what this resembles most;
Deny the fact who can,
This marvel of an Elephant
Is very like a fan!”

vii.

The Sixth no sooner had begun
About the beast to grope,
Than, seizing on the swinging tail
That fell within his scope,
“I see,” quoth he, “the Elephant
Is very like a rope!”

viii.

And so these men of Indostan
Disputed loud and long,
Each in his own opinion
Exceeding stiff and strong,
Though each was partly in the right,
And all were in the wrong!

moral.

So, oft in theologic wars
The disputants, I ween,
Rail on in utter ignorance
Of what each other mean,
And prate about an Elephant
Not one of them has seen!


Strong in the Rain – Miyazawa Kenji

Someone who is unfazed by the rain,
undaunted by the wind,
unbowed by the snow or the summer sun.

Who is sound of body,
who wants nothing for himself,
and who never gives in to anger,
but is always smiling quietly within.

Someone who eats eight bowls of brown rice a day, simple farmers’ fare,
with a bowl of miso soup and a vegetable or two.

In all things
he never takes himself into account,
always learns by watching and listening to others,
and never forgets.

He lives in a thatched hut in a meadow in the shadow of a pine grove,
and if there is a sick child in the east,
goes to care for that child.

And if there is a mother overwhelmed by work in the west,
goes to carry her bundles of rice.

If someone is dying in the south,
goes and says there is nothing to fear.

If there is a dispute or lawsuit in the north,
goes and says to stop being petty.

And when there is a drought, he sheds tears.

And when there is a cold spell in summer,
he paces anxiously back and forth.

Someone who is known far and wide as a dreamer
and never praised,
but is not a nuisance to anyone either …

That is the kind of person
I would like to be.

Ulysses – Alfred Lord Tennyson

The Great Wave

An excerpt:

Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Milton: A Poem – William Blake

W. Blake, The Angel of Revelation, ca. 1805

From the preface:

And did those feet in ancient time,
Walk upon Englands mountains green:
And was the holy Lamb of God,
On Englands pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold:
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In Englands green & pleasant Land.

Requiem – Anna Akhmatova

No, not under the vault of another sky, not under the shelter of other wings. I was with my people then, there where my people were doomed to be.

Instead of a preface:

During the years of the Yezhov terror, I spent seventeen months standing outside the prison in Leningrad, waiting for news. One day someone ‘picked me out’. Then a woman with blue lips from the cold, who was standing behind me, and of course had never heard of my name, came out of the numbness which affected us all. She whispered in my ear (for we all whispered there): “Can anyone ever describe this?”

I said, “I can”.

Then something resembling a smile slid across what had previously been just a face…

Ode on a Grecian Urn – John Keats

2nd and 5th verses sum up life nicely:

Vermeer Girl with Pearl Earring 1665-1666 detail

Thou still unravished bride of quietness!
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flow’ry tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal -yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoyed,
For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloyed,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
“Beauty is truth, truth beauty,” -that is all
Ye know on earth, and all ye need to know.

My Neighbor Totoro – Sampo (Stroll)

If this song doesn’t make you happier and feel like taking a walk, you have no soul. Just throwing that out.

On a light-hearted note, Yoko believed that she would visit totoro until well into middle school. In fact, I think somewhere in her mind she still hasn’t given up hope that totoro might call her one day.

563-3

Let’s walk, let’s walk, I’m as happy as can be!
I love to walk, let’s go quickly!

An uphill road, a tunnel, a meadow,
At a log bridge, a bumpy gravel path.
Passing under a spiderweb, a downhill path.

Let’s walk, let’s walk, I’m as happy as can be!
I love to walk, let’s go quickly!

A honeybee buzzes in a field of flowers,
a lizard in the sunshine, a snake takes a midday nap,
a grasshopper leaps, along the curving path.

Let’s walk, let’s walk, I’m as happy as can be!
I love to walk, let’s go quickly!

Foxes and badgers too, come out!
Let’s go exploring deep into the woods.
I have lots of friends, I’m so happy.
I have lots of friends, I’m so happy.

A haiku by Matsuo Basho

An old silent pond…
A frog jumps into the pond
Splash! Silence again